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The Metamorphosis
(Die Verwandlung)
The Metamorphosis is a novella by Franz
Kafka,
first published in 1915, and arguably the most famous of his works
along
with the longer works The Trial and The Castle. The story begins with a
traveling salesman, Gregor Samsa, waking to find himself transformed
into a
giant "monstrous vermin" (see Lost in translation, below). It is widely
regarded as a highly symbolic tale with various interpretations. The
story
is sometimes comic - for example, near the start, Gregor's main concern
is
that, despite what has happened, he must nevertheless get to work on
time.
Gregor is unable to speak in his insect form, and never successfully
communicates with his family at all after his physical appearance is
revealed to them. However, he seems to retain his cognitive faculties,
which
is unknown to his family. Curiously, his condition does not arouse a
sense
of surprise or incredulity in the eyes of his family, who merely
despise it
as an indication of impending burden. However, most of the story
revolves
around his interactions with his family, with whom he lives, and their
shock, denial, and repulsion whenever he reveals his physical
condition.
Horrified by his appearance, they take to shutting Gregor into his
room, but
do try to care for him by providing him food and water. The sister
takes
charge of caring for Gregor, initially working hard to make him
comfortable.
Nevertheless, they seem to want as little to do with him as possible.
The
sister and mother shrink back whenever he reveals himself, and Gregor's
father pelts him with apples when he emerges from his room one day. One
of
the apples becomes embedded in his back, causing an infection. Time
passes
as, confined to his room, Gregor's only activities are looking out of
his
window, and crawling up the walls and over the ceiling. Financial
hardship
befalls the family, and the sister's caretaking deteriorates. Devoid of
human contact, one day Gregor emerges to the sound of his sister's
violin in
the hopes to get his much-loved sister to join him in his room and play
her
violin for him. But her rejection of him is total, when she says to the
family: We must try to get rid of it. We've done everything humanly
possible to take care of it and to put up with it, no one can blame us
in
the least. The sister then determines with finality that the insect is
no
longer Gregor, since Gregor would have left them out of love and taken
their
burden away. Gregor returns to his room, lies down, and dies from
starvation, neglect and infection caused by the festering apple his
father
threw at him months before. The point of view shifts as, upon
discovery of
his corpse, the family feel an enormous burden has been lifted from
them,
and start planning for the future again. Fantastically, the family
suddenly
discovers that they aren't doing badly at all, both socially and
financially, and the brief process of forgetting Gregor and shutting
him
from their lives is quickly accomplished.
http://en.wikipedia.org/wiki/The_Metamorphosis
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